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荣耀六十年（别名：rongyaoliushinian ）是Herbert Wilcox主持执导,由Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla演员主演,是一部扣人心弦的剧情片。
《荣耀六十年》是一部英国电影，主要讲述了英国女王维多利亚的六十年统治时期。Anna Neagle饰演维多利亚女王，Anton Walbrook饰演她的丈夫阿尔伯特亲王，C. Aubrey Smith饰演首相。Anna Neagle的一句经典台词是：“我誓言效忠，直至生命最后一息。”Anton Walbrook的一句经典台词是：“我们必须团结起来，为了国家的繁荣和安宁。”C. Aubrey Smith的一句经典台词是：“我将竭尽所能，尽忠职守，为女王和国家服务。”豆瓣内容:　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor荣耀六十年更多精彩特殊检测写写画画同闯歌坛非常线之女孤岛惊魂5：伊甸园之门格瑞特真相沉默的心圣洁酒徒的传奇冷血长官放开我眼镜里的海

荣耀六十年

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